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Bibliography

Limited Edition Artists' Books

She Said: I Tell You It Doesn't Hurt Me. San Diego, CA: Brighton Press, 1991. Handpainted etchings by Manuel Neri. Limited edition of 33.

Territory. San Diego, CA: Brighton Press, 1993. Photo lithograph illustrations by Manuel Neri with one original drawing. Limited edition of 55.

Crossings/Chassé-croisé. Berkeley, CA: Editions Koch, 2003. Photographs by M. Lee Fatherree; original artwork by Manuel Neri. Limited edition of 45 plus 10 deluxe editions.

Source Vein New York, NY, Spire Press, Poems by Mary Julia Klimenko.

Unique Artists Books

Lorca, Federico Garcia. Introduction, Klimenko, Mary Julia. Café Cantante. 2007. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

El compass/Counting Time. 2007. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Duende/Songs of Despair. 2009. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

La fragua/The Forge. 2008. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Saetas/Songs of the Arrows. 2008. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Soledad/Songs of Loneliness. 2009. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Sonambulo. 2007. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Tristezas/Songs of Sadness. 2009. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Es verdad/It is True. 2008. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Neruda, Pablo. Introduction, Klimenko, Mary Julia. Los amores/The Loves. 2006. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

La mañana, las tardes, y esta noche/Morning, Afternoons, and Tonight. 2005. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

El mar de isla negra/The Sea of Isla Negra, 2006. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Melancolia. 2006. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Oda a la bella desnuda/Ode to a Beautiful Nude. 2004. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Las piedras/Stones. 2006. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Es verdad y la poesia/Truth and Poetry. 2005. Introduction translated into Spanish by Jaime Moreno Villareal. Seven original drawings by Manuel Neri. Calligraphy by Thomas Ingmire.

Catalogues

Livres d’Artistes. Brighton Press, San Diego, CA. 1994.

Nixon, Bruce. Manuel Neri, Artists’ Books/The Collaborative Process. Introduction by Robert Flynn Johnson, published by the Fine Arts Museums of San Francisco in association with Hudson Hills Press, 2005.

Things That Dream: Contemporary Calligraphic Artists’ Books/Cosas que sueñan: Libros de artistas caligraficos contemporaneous, Introduction by Joseph Goldyne, published by Stanford University Libraries, Stanford, California, 2012.

Brochures

2014 Form and Expression: The Written Word.September 18-December 7. Travel to: Brunnier Museum, Iowa State University, Ames, IA, February 4–March 21, 2014

On-Line Publications

After the Pause "If I Fell" 2018
Duende "Julia Pearl in the Grocery Store Again" 2017
Anti-Heroin Chic "It Is Your Neighborhood" 2017
Anti-Heroin Chic "Prophylactic Song, Last Light" 2017
Sweet: A Literary Confection "This Fear" 2016
Pamplemousse "Truth Lacks Meaning" 2016
Prick of the Spindle "Truth Lacks Meaning" 2016
Prick of the Spindle "The Birthday Cake" 2016
Chapparal Poetry "Roadhouse" 2015
Crack the Spine "Tonight" 2015
Military Experience & The Arts "Second Generation PTSD" 2014
DeComp Magazine "Sugar Pine" 2013
Wild Violet "Blue Hydrangea" 2013
Ellipsis "In the Hollow" 2010
Verdad "She Was Eating Whatever Holy Women Eat" 2010
Vending Machine Press "No One Sees Until They're Dead" 2004

Periodicals

After Many Years, At Night When, Water Night, Poetry Tonight; December: 1999
Against the Storm, Just Again, The Bitter Oleander; Volume 8, Number 2; Fayetteville, New York: 2002
Amnesia, The Suisun Valley Review; Spring 1993; Cordelia, California: 1990
And Suddenly, Clock Ticking Loudly, The Berkeley Poetry Review; Issue 33; Berkeley, California: Winter, 2001
Apple Tree, Poem; 2008
April 23, Church Bells, New Letters; Volume 45, Number 1; Kansas City, Missouri: 1978
Arrogance of Desperation, No.2, If I Had Held, Curving Down the Window, Suisun Valley Review; Spring, 1985; Cordelia, California: 1985
At the Gas Station, Wisconsin Review; Volume 36, Issue 3; Oshkosh, Wisconsin: Summer 2002
At the Gas Station, Carquinez Poetry Review; Number 1; Concord, California: 2003
Beef Stew, San Francisco Browning Society; 1981 Issue; Second prize, Dramatic Monologue; San Francisco, California: 1981
Blue Hydrangea, Wild Violet; http://www.wildviolet.net; Fall 2013
Body Language, Bogg Magazine; Arlington, Virginia: 2005
Bus Stop, Limestone; 2002 Issue; Lexington, Kentucky: 2002
Coming Home She Is Lost Again, Sunday, South Dakota Review; Volume 41, No.4; Vermillion, South Dakota: 2003
Coming to Get You, Phantasmagoria; 2004; White Bear Lake, Minnesota: 2004
Cowboy Love Song I, Cowboy Love Song II, South Carolina Review; Volume 40, No 1; Clemson, South Carolina: Fall 2007
Diego, Suisun Valley Review; Spring, 1982; Cordelia, California: 1982
Disconnect, Mother Earth Journal/Poetry USA; Novato, California: 2006
Dogs in the Night, Texas Review; Volume 27; Huntsville, Texas: 2005
Down the Window, Suisun Valley Review; Volume 5, Number 1, Spring 1985; Cordelia, California: 1985
Dust and Drapes, Oxford Magazine; Volume XVII; Miami, Florida: 2003
Empty, Left Curve; No. 29; Oakland, California: 2005
Even If We Can’t Cry We still Take Up Space, Suisun Valley Review; Spring, 1983; Cordelia, California: 1983
Even if She Conceded, Yalobusha Review; Issue 16 (2011); Oxford, Mississippi: 2011
Explosion, How I Move, Sulphur River Literary Review; Volume XX, No 1;
Austin,Texas: 2004
Failure to Make Clear, The Sky is the Confession, Rivers Edge; Volume XVIII, No 1; Edinburg, Texas: Spring 2005
Folkstone II, Carquinez Review; Issue One; Benicia, California: 2000
Folkstone V, Inedit Nouveau; Issue 145; Belgium: 2000
Four Straw Hats & Two Ribbons, California Quarterly; 2003; Orange, California: 2003
Having Had My Say, Kalliope;Volume XXV, No. I; Jacksonville, Florida: 2003
Heat and Darkness, Ship of Fools; No. 64, Winter 2010; University of Rio Grande, Rio Grande, Ohio: 2010
Home, The Weekender Magazine; April; Benicia, California; 1997
How I Move, Primavera; 1998; Chicago, Illinois: 1998
How I Move, Sulphur River Literary Review, Vol. XX, Austin, Texas; 2004
I Admit It, Cadillac Cicatrix; 2008, Carmel, California: 2008
I Admit It, Quercus Review; 2010; Modesto, California: 2010
I Admit It, Blue Mesa Review, 2009; Albuquerque, New Mexico: 2009
Identification with the Scream Never Screamed, Confrontation; No. 90/91; Brookville, New York: 2005
If I Could Find You, Quiddity International Literary Journal; Volume 2.2,
Fall/Winter 2009-10, Benedictine University, Springfield, Springfield, Illinois: 2009
If I Fell, After The Pause; Fall 2018, Online Publication
If Night Stayed Open, Red Light Lit; #4: San Francisco, California: 2014
If We Take It from the Geese We Will Not Be Afraid to Fly, Transfer; Issue
Forty-One; San Francisco, California: 1981
I Live On the Sea, I Want You to Understand, Feminist Poetics; Volume I, San Francisco, California: 1984
In The Face of Rejection, Confrontation Magazine; No. 90/91, Brookville, New York: 2005
In the Hollow, Ellipsis; Volume 46, Westminster College; Salt Lake City, Utah: 2010
I Need, Fox Cry Review; Volume 31; Fox Valley, Wisconsin: 2005
I Need, Phoebe; 2006; George Mason University, Fairfax, VA: 2006
In Other Words, Transfer; Issue 45, Spring; San Francisco, California: 1983
It Is Your Neighborhood, Anti-Heroin Chic, September 22, 2017, Online Publication
I’ve Been Holding Myself, The Suisun Valley Review; Spring, 1995, Cordelia, California: 1995
I Want You to Understand, Green Hills Literary Lantern; No. 15; Kirksville, Missouri: 2004
Just Again, Eclipse; 2002; Glendale, California: 2002
Last Light, Anti-Heroin Chic; March 16, 2017; Online Publication
Letter to D #6, Another Chicago Magazine; 49; Chicago, Illinois: 2009
Matter, Diner; Spring/Summer 2004; Worcester, Massachusetts: 2004
Midnight in Our Bodies, Controlled Burn; Spring, Volume XII; Roscommon, Michigan: 2003
No Matter Where, The Suisun Valley Review; Spring, 1994; Cordelia, California: 1994
No Matter Where, Broadside, Bookshop Benicia; April 1996; Benicia, California: 1996
Not In the Precise Image, West Wind Review; 21st Anthology; Ashland, Oregon: 2002
Piazza Alberica, Carrara, The Griffin; 2004; Gwynedd Valley, Pennsylvania: 2004
Piazza Alberica, Carrara, Sunday, Left Curve; 2005; Oakland California: 2005
Panning for Gold, Schuylkill Valley Journal of the Arts; 2006; Philadelphia, Pennsylvania: 2006
Prophylactic Song, Anti-Heroin Chic; March 16, 2917, Online Publication
Purgatory, Seattle Review; 2002; Seattle, Washington: 2002
Road House, Chaparral; Winter 2015-2016: Online publication
Sacred Bones, Red Light Lit; #4; San Francisco, California: 2014,
Schizophrenic Series, Psychopoetica; Fall, 1990; Hull, England: 1990
Second Generation PTSD, Military Experience and the Arts, Online: Fall 2014
She Was Eating Whatever Holy Women Eat, Verdad Magazine;Volume 9: Fall 2010
Sounding My Own, IIInedit Nouveau; Issue 147; Belgium: 1999
Sugar Pine, decomP: Fall 2013
Temporal Bone, Poet Lore; Volume 101, Number 1/2; Bethesda, Maryland: 2006
The Air in the Kitchen, The Suisun Valley Review; Spring, 1996; Cordelia, California: 1996
The Fuck You Song or The Arrogance of Desperation, No. 2, If I Had Held, Curving Down the Window, The Sky Is the Confession, Verification of the Dream, Down Under, Folkstone I, Folkstone II, La Revue des Ressources: Sommaire; May; 1999
The Sky Opens Up, Willow Review; Volume XXX; Grayslake, Illinois: 2003
The Way Summer, Art Well; Vol. 2; Benicia, California: 1984
Toasters; Cimmaron Review; Issue 142; Stillwater, Oklahoma: Winter: 2003
To Field a Dream; Gargoyle; No. 45; Arlington, Virginia: 2002
Truth Lacks Meaning; Pamplemousse, Issue Unknown, Online
Unlock Me, Rio Grande Review; Fall 2008, Issue 32; University of Texas; El Paso, Texas: 2008
Verification of the Dream, The Suisun Valley Review; Spring, 1998; Cordelia, California: 1998
What I Feel, Hurricane Review; 2006; Pensacola, Florida: 2006
What Speaks to Me; Confluence; Volume 16; Marietta, Ohio: 2005
What the Rising River Left, The Pikesville Review; 2005; Pikesville, Kentucky: 2005
When I Am the Night Sky, Bayou Magazine; 2006, The University of New Orleans, New Orleans Louisiana: 2006
White Lies, Berkeley Poetry Review; Fall, 1983; Berkeley, California: 1983
With Such Sudden Heat, Fourteen Hills; Vol 20, No 1; San Francisco California: 2014
Who Leads, Learn to Lie; La revue de La tache d’encre: March 2001
You Imagine, Spire Press; 2005; New York, New York: 2005

Short Stories

Pelvic Ultrasound, Crab Creek Review; 2011
The Birthday Cake, Prick of the Spindle; February 2014